WINCENTY GAWRON
![]() Prisoner photo from Auschwitz, Courtesy Auschwitz-Birkenau State Museum in Oświęcim |
![]() Gawron, ca. 1985 |
Background
Gawron
studied at the State School of Decorative Arts in Lwów and, after 1935, at the
Academies of Fine Arts in Kraków and Warsaw.
He was employed as a stained glass window designer and in 1939 joined
an underground Polish resistance organization.
Arrest and Deportation to Auschwitz
January
18, 1941, Gawron was arrested in Tarnów and on April 5, 1941, deported to Auschwitz,
where he received prisoner number 11237.
Work Assignments at Auschwitz
He
was assigned to various labor details at Auschwitz, that included clearing rubble
and working in the cabinetmaker and sculpture workshop.
Art Produced at Auschwitz
Gawron produced
letter openers, ornamental boxes, landscape woodcuts, caricatures, and portraits
of SS officers in addition to more private images on scraps of paper
and cardboard.
Transfer to Subcamp at Harmense
1942, Gawron secured
a transfer to the subcamp at Harmense where he arranged a stay in the prisoner
infirmary and made notes about the brutal conditions, high mortality rates,
and murders of Polish and Jewish inmates at Auschwitz. In gratitude for the medical help received
at the infirmary, Gawron produced portraits of two prisoner physicians who helped
him during his time there.
Escape and After
May 16, 1942, together
with fellow prisoner Stefan Bielecki, Gawron made a successful escape from Harmense,
taking with him not only his own drawings, caricatures, and diary, but also
the works of two other Auschwitz prisoner artists, Stanisław Gutkiewicz and
Leon Turalski. Gawron also carried the notes on Auschwitz made in the Harmense
infirmary for the United Military Organization (Związek
Organizacji Wojskowej), the camp resistance organization that had assisted
his flight and in which he and Bielecki were Lieutenants,.
Spring
of 1943, Gawron organized a division of the Home Army in Kicznia, Poland, and
later fought in the 1944 Warsaw uprising. 1945,
he traveled first to Germany and then to the United States, where he worked
as a stained glass artist, and calligrapher, and amassed a large collection
of Polish military artifacts.
Bibliography:
Archives at the Auschwitz-Birkenau
State Museum in Oświęcim.
Gawron,
Wincenty. Ochotnik do Oświęcimia.
Goldmann, Sybille and Myrah Adams Rösing.
Kunst zum Überleben: Gezeichnet in Auschwitz. Ulm, 1989.
Heubner,
Christoph, Alwin Meyer, and Jürgen Pieplow, eds. Lebenszeichen: Gesehen in
Auschwitz. Bornheim-Merten, 1979.
Jaworska,
Janina. Nie wszystek umrę.... Warsaw, 1975.
Archives
at the Jewish Historical Institute,
Warsaw.
Milton,
Sybil and Janet Blatter. Art of the Holocaust. New York, 1981.
Stütz,
Marina, ed. Überleben und Widerstehen. Cologne, 1980.
Swiebocki,
Henryk. Auschwitz 1940-1945: Studien zur Geschichte des Konzentrations- und Vernichtungslagers
Auschwitz, 5 volumes. Oświęcim, 1999.