David Goychman

Born 1900 in Bogopal, Ukraine; died 1942 in Auschwitz-Birkenau

Background
Goychman was the youngest of three sons of Rabbi Wolf Goychman, a grain merchant. Goychman received both general and Jewish education, including instruction in Yiddish and Hebrew language and culture.  His brother Abraham was killed in battle while fighting for the French Army in the First World War.  David and his brother Eliezer were victims of a pogrom, in which David suffered a head wound and Eliezer was killed before his eyes.  1919, he went to Palestine, where he began to paint.  Three years later, he moved to Paris to study at the Academy of Art.  To earn his living, he touched up portrait photographs, while for enjoyment he painted portraits and landscapes.  1930s, when the situation of Jews in Europe was deteriorating, Goychman's sister, who had immigrated to the United States, invited him to join her but he did not want to leave Paris.

Arrest and Internment at Compičgne
June 27, 1941, after Germany declared war on Russia, Goychman was arrested in his house in Villeban, in the Vallče des Chevreuse near Paris, as a citizen of the enemy state of Russia.  He was then sent to and interned at Compičgne, where he continued to paint and participated, along with other artist internees, in an exhibition held at the camp.

Transfer to Drancy and Deportation to Auschwitz
September 11, 1942, Goychman was transferred to Drancy and three days later, sent in deportation no. 32 to Auschwitz, from where he never returned.  None of Goychman's Compičgne paintings are known to have survived, but the Ghetto Fighters' House art collection contains some of his prewar paintings as well as portraits of Goychman made at Compičgne by fellow inmate artists Jacques Gotko and Isis Kischka.

Bibliography:
Fenster, Hirsh.  Undzere Farpainikte Kinstler (Nos artistes martyrs).  Paris, 1951.

Klarsfeld, Serge.  Memorial to the Jews Deported from France, 1942-1944: Documentation of the Deportation of the Victims of the Final Solution in France.  New York, 1983.